In this episode, I talk about and present examples of the marvelous music of Elmer Bernstein, specifically his jazz-oriented scores, like THE MAN WITH THE GOLDEN ARM, and those in the "Westerns" genre, THE MAGNIFICENT SEVEN for example. Bernstein was part of the unofficial "second generation" of film composers, along with Alex North, Franz Waxman and others, following on from the "godfathers" of Max Steiner, Alfred Newman and Erich Wolfgang Korngold. He tackled pretty much every genre but there were distinct periods of his career when he was considered the "go-to" guy for jazz scores, then Westerns, then comedies, amid others. This is part of my ongoing "Listening To..." series of the show in which I examine various composers, whether presenting attributes of their overall style, focusing on particular genres or even a certain year of their career. This is not a comprehensive biography of Elmer Bernstein or his entire career, but more of a brief introduction for anyone who might be curious to learn about what to listen for.

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In this episode, I am talking with soundtrack album producer and film music journalist, Dan Goldwasser. We focus on his work for both archival score releases, such as THE FIRM and AIRPLANE!, and for recent scores, in this case KINGSMAN: THE SECRET SERVICE and FERDINAND. I ask him about how these projects are begun, who's involved and roadblocks encountered. We also talk about being a movie music fan and whether this affects shepherding these albums and collaborating with composers. Check out Dan's photography and notes from scoring sessions around Los Angeles at his website, www.scoringsessions.com.

Connect with the podcast on Facebook and Twitter:

www.facebook.com/ascoretosettle

https://twitter.com/score2settlepod

Email the show at ascoretosettlepodcast@gmail.com